Reminiscence and historical past outline context, how objects carry, lose, or regain which means, how the bizarre was as soon as distinctive, and the way previous qualities can nonetheless be extra inventive and potent than the novelty of the current.
Japan gives one of the crucial intriguing contexts as a result of the concept of change is itself a cultural worth. That is evidently a rustic that reveres nature – its shapes and colours are idealized in all its art-forms. However beneath the floor there’s a deeper appreciation of its temporal elements. Right here, the passing of time provides which means to life – tradition and nature are inseparable and due to this fact antithetical to the binary view that prevails in most locations.
OSO is a world structure and design workplace primarily based in Tokyo. The workplace was established in 2017 by two companions – Esteban Ochogavia and Michael Sypkens – who previously labored collectively at Kengo Kuma and Associates. Each Esteban and Michael have combined backgrounds, which provides the workplace a world perspective.
OSO’s work includes Japanese and worldwide initiatives, and is principally targeted on inside design, renovations, and single-family houses.
The Avoir is a housing mission in upscale Tokyo that’s screened by a monumental lattice. The construction evokes the standard bamboo fence inside a quiet Japanese backyard.
Pictures by KKPO
Only in the near past, OSO accomplished Deloitte Summit, a 25-storey workplace tower with staggered and rotated volumes in central Vancouver. The angled, glass façade creates reflections that retains altering the depth, silhouette, and general look of the tower.
The tower is designed as a vertical assemblage of glass packing containers that radiate outward to specific the pivotal location of the positioning. The multitude of orientations creates an ever-changing silhouette that shifts relying on the place from the place it’s seen. The idea of the workplace tower is to provide a wide range of scales and appearances whereas sustaining a single, coherent id. Though the tower could also be seen as a sculpted object, the intention is to combine it into an atmosphere that also contains many buildings of various sizes and features.
It appears inconceivable to debate Japanese post-modern style design with out mentioning Yohji Yamamoto, famend for his avant-garde spirit. The straightforward but subtle outsized silhouettes and poetic use of black have taken the style world by storm because the early Nineteen Eighties. OSO has been working intently with Yohji Yamamoto designing their outlets world wide.
Pictures by Vincent Hecht
Yohji Yamamoto Discord, Shibuya, Tokyo
Pictures by OSO
Yohji Yamamoto, Shenzen, China
Pictures by SWING
Yohji Yamamoto, Hong Kong
Pictures by Seasons Wong
As architects, OSO finds nice freedom within the thought of impermeance and the love towards imperfections. The ambiguities between preservation and alter, fable and actuality, nature and artifact are all wealthy supplies that problem and encourage OSO’s work.